UAE aircraft registry passes 1,000 as national carriers account for 55%

National carriers account for 554 aircraft in the UAE registry

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Job applicants wait in line at the GCAA career fair to speak with prospective employers.
Visitors meeting employers at the Civil Aviation Career Fair organised by General Civil Aviation Authority (GCAA) at Etihad Museum in Dubai.
Virendra Saklani/ Gulf News

Dubai: The UAE National Aircraft Registry has surpassed 1,000 aircraft for the first time after aircraft number 1001 was added to the register, the General Civil Aviation Authority said.

National carriers account for 554 aircraft, representing more than 55% of the total registered fleet.

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“Surpassing the milestone of 1,000 registered aircraft represents a significant achievement for the UAE and reflects the continued growth of our civil aviation sector, as well as the confidence placed in the country's regulatory framework by airlines, aircraft owners and operators from around the world. It also demonstrates the success of the UAE's long-term vision of creating an enabling environment that supports sustainable growth, innovation and global competitiveness,” said Saif Mohammed Al Suwaidi, Director General of the GCAA.

GCAA expands digital services

The authority said it continues to update aviation legislation, simplify procedures and expand digital registration services.

Eng. Aqeel Al Zarooni, Assistant Director General for Aviation Safety Affairs at the GCAA, said the registry operates in line with international standards.

“This milestone reflects the maturity, efficiency and international credibility of the UAE's aircraft registration system. Operating fully in accordance with international standards, the system delivers streamlined, transparent and reliable services that meet the evolving needs of aircraft owners and operators.”

The GCAA said further improvements would focus on digital transformation, regulatory updates and risk-based oversight while maintaining safety and compliance standards.

Nivetha Dayanand is Assistant Business Editor at Gulf News, covering aviation, financial markets and commodities. A business and financial journalist with a strong interest in multimedia storytelling, she regularly takes complex financial and economic subjects beyond the written word, producing explainer videos that make them easier for a wider audience to understand. Nivetha has interviewed senior policymakers, business leaders and global financial figures both on and off camera. Her past guests include UAE Minister of Economy and Tourism Abdulla bin Touq Al Marri, Khaled bin Alwaleed Al Saud, a member of the House of Saud and the founder and CEO of KBW Ventures, Jihad Azour, Director of the Middle East and Central Asia Department at the International Monetary Fund and Indian ministers Hardeep Singh Puri and N. Chandrababu Naidu. She has also hosted and moderated panels, conferences and awards shows, bringing her newsroom experience to live conversations on business, finance and the economy. An Erasmus Mundus journalism alum, Nivetha is drawn to stories that affect people directly and to reporting that gives a platform to voices that might otherwise go unheard. She was among the first journalists to speak to Petrofac employees in the UAE about unpaid salaries, broke the news of the planned demolition of Dubai’s well-known “Toyota Building”, and helped set the record straight on widely circulated claims that a giant replica of the Moon was coming to Dubai. More recently, her exclusive interview with EDGE Group CEO Hamad Al Marar revealed how the UAE-based defence group deployed its systems along the country’s shore border and established a geofence around the UAE within 48 hours of the February 28 escalation. Prior to joining Gulf News, Nivetha worked at ITP Media, where she helped launch Finance Middle East, a new publication covering the region’s financial sector. Her role spanned reporting and editing, video production, interviews and events. Across print, digital, and video, she focuses on finding the people behind business stories and explaining why those stories matter to the audience reading or watching them.

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