The Alvin and the Chipmunks soundtrack -featuring high-pitched cover versions of hit songs - is selling out faster than the first album
In the years since an aspiring small-time actor named Ross Bagdasarian bought a variable-speed tape recorder and sang The Chipmunk Song into its embedded microphone in 1958, his mischief-making rodents have sold 47 million copies of their 31 albums and amassed a worldwide fan base.
Alvin and the Chipmunks: The Squeakquel soundtrack to the sequel to 2007's breakout animated hit is already a bona fide success.
Released in the US on Rhino Records on December 1 and featuring hits by the Kinks, Katy Perry and Beyoncé, the album sold 77,000 copies in its first two weeks of release, compared with just 7,000 for the first two weeks of sales for the 2007 film's soundtrack, which went on to move more than 1 million copies.
"It's hard to be miserable when you hear those voices," said Ross Bagdasarian Jr, 60, speculating on the enduring appeal of furry critters chirping out cover songs.
Bagdasarian Sr voiced the original Chipmunks and pioneered the "vari-speed" recording technique that transformed his adult voice into the higher-pitched, kid-i-fied sound so associated with the group. After his death in 1972, his son Ross and Ross' wife Janice kept the franchise alive, voicing 16 more Chipmunks records and an animated tele-vision show for NBC.
While actors including Justin Long and Christina Applegate voice the Chipmunk characters in the Squeakquel, the songs in the film were performed by New York producer Ali Dee and four of his studio singers, who employed the same vari-speed technique Bagdasarian used.
Legitimate brand
There are two things that go into producing a Chipmunks record, Dee said.
"The first step is to recognise that we're working with one of the biggest groups out there," he said. "I know I sound out of my mind when I say that, but the Chipmunks have sold [a ton of] records.
"Once you recognise the brand as being legitimate, then you can hit the production and make the Chipmunks sound competitive against Jay-Z or Alicia Keys," he added.
"That's the mind-set: You're not making a kids record. You're making a legitimate album."
More than 100 tracks were licensed and recorded by Dee's Chipmunks and Chipettes for the new movie, most of which ended up on the cutting-room floor.
"You don't know if a song will work until you record it," said Dee, who estimates there's enough leftover material for a triple album of B-sides.
The Rolling Stones' (I Can't Get No) Satisfaction and Van Halen's Jump, for example, were both recorded but discarded because "Monkicising the vocal sucks the life out of it," Dee said.
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