Raavan: Enjoy the view, not the story

Film kicks off with a vengeance but the pace soon becomes languid

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Supplied picture
Supplied picture

When the incredibly pretty but questionably-talented Aishwarya Rai is the best part of Raavan, then it’s not exactly a compliment for a film. While the first half of Mani Ratnam’s modern adaptation of the Indian epic Ramayana kicks off with a vengeance, with the swift abduction of Ragini [think Ash as Sita] by an uncouth, blood-thirsty villain Beera [think Abishek as the ten-headed Raavan], the pace soon becomes languid. Imagine being assaulted for a more than an hour by the stunning-but-slightly monotonous landscapes of Kerala and a few lusty gazes shot by abductor Beera to the feisty Ragini. The end result? The viewer feels a tad victimised.

Even the usually consistent Abhishek, who impressed us with his acting prowess in Ratnam’s earlier works such as Yuva and Guru, was grating. His O-T-T mannerisms include growling, shaking his head vigorously and emitting guttural ‘bak, bak, bak, bak …’ noises - doing little to scare Ragini or anybody else within five-metre radius. What’s even more surprising was the amplified morality that the villains seem to sport towards a woman. Imagine this: they abducted Ragini to teach her self-righteous cop of a husband Dev (south Indian idol Vikram) a harsh lesson. But their determination to protect Ragini’s chastity, despite being in close proximity for 14 long days with a beautiful (might I add writhing in clingy cotton) woman. Their hesitation was a bit too lofty for our tastes. Let’s not forget: Dev’s trigger-happy persona had cost Beera his sister, who was mercilessly gang-raped by morally-corrupt cops. But in all fairness, the second half redeemed Raavan from being a complete disaster. The cliff-hanger climax and the poignant scene in which Ragini returns to her kidnapper are worth a watch. The less said about the beefed-up Vikram, the better. Even if you are willing to step over his accented Hindi, his brawny act does not impress. In all, watch Raavan if you want a quick tour of Kerala’s cascading waterfalls and if striking imagery makes you tick.

Aishwarya said the toughest part about filmingRaavan was to shoot the epic movie in both languages (Hindi and Tamil) simultaneously.
Abhishek did his own stunts in the movie.
Abhishek on his most memorable scene in the movie:
When artistes of the calibre of A.R. Rahman, Mani Ratnam and Gulzar come together, you may expect a repeat of the talent evident in the soundtracks of Roja, Bombay and Dil Se. However, Raavan's music doesn't come anywhere close to those classics. It relies a lot on rousing, rhythmic tunes like Beera (Vijay Prakash-Mustafa Kutaone), Thok De Killi (Sukhwinder Singh) and Kata Kata (Kunal Ganjawala, Ila Arun, Sapna Awasthi). The first is the theme-song describing the villainous central character, the second has political undertones and the last is a marriage track. Overall, the album is too closely linked to the storyline and as standalone music leaves much to be desired.
Abhishek and Aiswarya share a aspecial connection with Raavan director Mani Ratnam, having starred in his films Guru, Iruvar and Yuva.

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