Regrouped band’s new album is polished, though musically unadventurous
What to make of Take That? The 1990s boy band was adored by a generation in its native Britain. When Take That returned in 2005 as a grown-up “man band,” fans embraced the group as if it had never been away.
III is the band’s sixth No. 1 studio album in the UK, its title a reference to Take That’s new status as a trio, with the departure earlier this year of Jason Orange. The group earlier survived the loss of original member Robbie Williams, but how much attrition can its chemistry bear?
Well, a three-wheeled car is still a car, and Take That is like a luxury automobile — a Jaguar, perhaps — humming along with neither surprises nor disappointments.
Gary Barlow, Mark Owen and Howard Donald still sound vocally at ease in each other’s company. The album’s opener and lead single, These Days, is a well-tooled construction of tight vocal harmonies and up-tempo electro-beats. It’s easy to imagine it filling dance floors, while Get Ready is an equally effective pop anthem.
The rest of the album, created with producers including Gary Kurstin and Stuart Price, is similarly polished, though musically unadventurous and lyrically bland.
III is at its most interesting when it swerves a bit, as with the grungy electro buzz of I Like It or the low-key, McCartneyesque charm of Amazing — a word only true fans will apply to this album.
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