Did Bollywood finally break Arijit Singh? And does Hindi industry truly deserve its talent who took on Salman Khan

His fallout with Salman Khan in 2014 has become an iconic cautionary tale for singers

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Manjusha Radhakrishnan, Entertainment, Lifestyle and Sport Editor
Arijit Singh announces retirement from playback singing 
Arijit Singh announces retirement from playback singing 

Dubai: When Bollywood's top singer Arijit Singh announced that he was stepping back from playback singing, it felt less like a career decision and more like someone exhausted just throwing in the proverbial monogrammed towel.

For a voice that carried the emotional heartbeat of modern Bollywood, his self-imposed sabbatical from Bollywood raised a crucial question: Did the industry that made him wear him down, bit by bit?

Let's face it. Arijit’s journey has never been just about music. The self-made outsider and self-proclaimed misfit has often indicated he's somehow trying to survive in a star-led ecosystem that punishes perceived disrespect more harshly than it rewards talent.

His fallout with Salman Khan in 2014 — triggered by an offhand, exhausted remark at an awards show — became one of Bollywood’s most enduring cautionary tales. For context, mercurial superstar Khan was hosting an awards show and Arijit looked positively bored out of his mind, and even made a joke that the hosting gig had put him to sleep.

A young singer, new to stardom, apologised publicly and repeatedly. Yet the consequences were there to see. Songs, that he sang for Salman Khan, allegedly removed at the last minute only to be replaced by another singer. The message was unmistakable: in Bollywood, power outweighs apology.

Arijit’s case is not an isolated one. History offers other examples of artists who paid a heavy price for speaking up or being misunderstood.

A.R. Rahman, one of India’s most globally respected composers, recently found himself “cancelled” online for a remark taken out of context, sparking outrage that felt wildly disproportionate to his intent.

Vivek Oberoi’s career famously derailed after his very public fallout with Salman Khan in the early 2000s.

These incidents reveal a pattern: Bollywood is less an industry of creative freedom and more a tightly wound hierarchy, where offence travels faster than forgiveness.

What makes Arijit’s story especially painful is his temperament. He was never combative. Never political. Never controversial. I have seen him perform live at concerts in Dubai and he's an artist who believes less in showmanship and dazzle, and more on just his vocals do all the talking. He had no back-up dancers shimmying in skimpy outfits to dial up the jazz. His voice, soul-stirring and emotionally-charged, are his biggest weapons.

Plus, he's always been the portrait of rebellion only emotional honesty. But in an industry built on egos and alliances, he wouldn't be able to play that murky game.

The irony is also striking. Bollywood depends on its artists to bare their souls, to sing heartbreak, longing, vulnerability, but often offers little emotional safety in return. It celebrates sensitivity in art while punishing it in real life.

So, has Bollywood finally broken Arijit Singh?

Perhaps not in the loud, dramatic way one expects. There is no public feud, no explosive interview, no accusations. Instead, there is withdrawal. Distance. A decision to step back from a system that may have given him fame but also exacted a personal cost.

And that raises the larger question: does Bollywood truly deserve its talent?

An industry that sidelines singers over bruised egos, that allows personal power to influence professional access, and that turns misunderstanding into long-term exile risks becoming less about creativity and more about control. When musicians, actors and composers must constantly calculate what they can say — or whom they might offend — art itself becomes cautious.

Vivek Oberoi, who now lives in Dubai but once publicly called out Salman Khan for bullying Aishwarya Rai Bachchan, survived by reinventing himself outside the mainstream.

A.R. Rahman continues through sheer stature and global recognition. Arijit Singh built a fanbase so massive that even exclusion could not erase him. But not every artist has that luxury.

The real loss is not individual careers. It is trust.

Trust that Bollywood is a meritocracy.
Trust that apology can heal.
Trust that talent will outlive politics.

As Arijit trends once again, not for a new song but for stepping away, the moment feels symbolic. It is not just about one singer’s fatigue. It is about an industry confronting its own reflection.

If Bollywood cannot learn to protect its most sensitive voices, it risks becoming an echo chamber of power rather than a symphony of art.

And perhaps the most haunting question remains:
What other Arijit Singhs are quietly deciding they’ve had enough?

Manjusha Radhakrishnan
Manjusha RadhakrishnanEntertainment, Lifestyle and Sport Editor
Manjusha Radhakrishnan has been slaying entertainment news and celebrity interviews in Dubai for 18 years—and she’s just getting started. As Entertainment Editor, she covers Bollywood movie reviews, Hollywood scoops, Pakistani dramas, and world cinema. Red carpets? She’s walked them all—Europe, North America, Macau—covering IIFA (Bollywood Oscars) and Zee Cine Awards like a pro. She’s been on CNN with Becky Anderson dropping Bollywood truth bombs like Salman Khan Black Buck hunting conviction and hosted panels with directors like Bollywood’s Kabir Khan and Indian cricketer Harbhajan Singh. She has also covered film festivals around the globe. Oh, and did we mention she landed the cover of Xpedition Magazine as one of the UAE’s 50 most influential icons? She was also the resident Bollywood guru on Dubai TV’s Insider Arabia and Saudi TV, where she dishes out the latest scoop and celebrity news. Her interview roster reads like a dream guest list—Priyanka Chopra Jonas, Shah Rukh Khan, Robbie Williams, Sean Penn, Deepika Padukone, Alia Bhatt, Joaquin Phoenix, and Morgan Freeman. From breaking celeb news to making stars spill secrets, Manjusha doesn’t just cover entertainment—she owns it while looking like a star herself.

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