In January, Christina Ausset, a 24-year-old Maroon 5 fan in France, spotted an enticing Twitter post from another of the band’s followers: “I just had a conversation with Maroon 5! Awesome!”
The interaction, it turned out, had been conducted on Facebook Messenger with Maroon 5’s chatbot — an automated programme designed to respond to basic commands. Not exactly a conversation with Adam Levine, Ausset noted, but it didn’t matter. She now happily talks to the bot, too.
“Having Maroon 5 on Messenger,” she wrote in an email, “makes you feel really close to your favourite artists!”
For celebrities who use Twitter, Instagram and Snapchat to lend a personal touch to their interactions with fans, the next frontier of social media is a deliberately impersonal one: chatbots, a low-level form of artificial intelligence that can be harnessed to send news updates, push promotional content and even test new material. In the music world, “bot” is often a dirty word, conjuring up the tools used by high-tech ticket scalpers.
Yet 50 Cent, Aerosmith, Snoop Dogg and Kiss have all deputised chatbots as their automatic, ever-alert greeters on Facebook Messenger, handling the flood of inquiries that would overwhelm any human. When someone connects to Maroon 5 on Messenger, a text bubble pops up: “Hi,” it says, “I’m the Maroon 5 bot. Want to be the first to know when we release new music?”
A series of questions with multiple-choice answers follows, leading the fan down a path lined with emojis and video clips; social media links then point other fans back to the bot. It is a purposely simple interaction, created through technology developed by a start-up named Octane AI.
Yet even in their programmed responses, chatbots can convey human personality, said Christina Milian, a singer and actress who has been among the earliest proponents of the technology, and helped found Persona Technologies, an Octane competitor. “I feel like it’s personal,” Milian said of her own chatbot. “It’s definitely in my words. It’s how I talk. My fans know how I talk.”
Not all celebrity bots are quite up to the level of verbal verisimilitude, however. Aerosmith’s, for example, responds to virtually every inquiry with “Rock on.” But Milian said her bot’s intelligence surprised even her. “When I’m communicating with my own chatbot,” she said, “sometimes I see something and I’m like, ‘Oh, that’s so me!’”
The chatbots may also offer a glimpse of the music industry’s future, which is beginning to involve virtual-reality concerts, playlist algorithms and virtual assistants like Amazon’s Alexa, said Cortney Harding, a consultant to music technology companies.
“As AI develops, everything is going to go into a mixed-reality world,” Harding said, “where you could dial up a hologram of your favourite pop star and have ‘real conversations’ with the artificially intelligent version of that person.”
Octane AI, founded about a year ago, is one of a handful of technology companies tailoring these programmes to the entertainment industry, with clients including Interscope Records, the label behind Maroon 5 and 30 Seconds to Mars. Matt Schlicht, Octane AI’s chief executive, said that with more than 1 billion users, Messenger — the chat app connected to Facebook — was too large for celebrities to ignore.
And once they are paying attention, his company’s bots can help them make efficient use of it.
“Right now people are looking at bots and saying, ‘I don’t know, maybe they’re cool, maybe not,’” Schlicht said. “But based on the data we’re seeing, it’s not crazy to think that a year from now it’s going to be their No. 1 distribution channel.”
Chatbots have become a common part of online interaction for major consumer companies; Domino’s, for example, lets customers use one to order a pizza. They have quickly spread since last April, when Facebook made it possible for developers to build bots on Messenger. The change made Messenger a more useful channel to broadcast information to numerous recipients, and for many artists and marketers it solved a frustrating problem.
As Facebook has grown, its news feeds have become more crowded — not to mention pruned by algorithms — making it harder and harder to reach followers. Chris Mortimer, the head of digital marketing at Interscope, said Messenger was now a critical way for his artists to reach their fans. “Right now, a Facebook Messenger inbox is what an email inbox was before the spammers got to it,” he said.
Octane AI’s clients say response rates to its chats are extraordinarily high. According to the company, when its bots send a new notification, 50-75 per cent of its subscribers open the message and click a link within 10 minutes. Bots have become popular for musicians even though they have been slow to catch on overall; at a conference in September, a Facebook executive called the technology “overhyped”, and said that early examples were unimpressive.
Still, Milian said her Messenger account had attracted 2 million people since she introduced her bot in October. Maroon 5 also demonstrated its value for commercial research. In February, a day before the band released its single “Cold”, it sent a 10-second clip of the song to its chatbot followers.
Within 24 hours, fans sent 100,000 messages to the bot, and shared the clip widely on social media. “You can get pretty strong sentiment analysis in a snap,” said Ben Parr, Octane AI’s chief marketing officer.
Chatbots’ high engagement rates may be helped by their novelty. But as they spread, they will have to be reconciled with the sour perception of bots among the general public, which has been building for years because of the use of bots in fake social-media accounts and, especially, ticketing.
Bots have become such a scourge in the global scalping market that last year President Barack Obama signed a federal bill outlawing their use in buying event tickets. “I hate the word bot,” said Josh Bocanegra, Persona’s chief executive, who founded the company with Milian. “It’s never been associated with anything positive.”
New York Times News Service