Over 47 years on, Sharjah’s Central Souq remains a timeless treasure

Souq home to traders from across the globe and a popular haunt among residents, tourists

Last updated:
Devadasan K P, Chief Visual Editor
2 MIN READ
Over 47 years on, Sharjah’s Central Souq remains a timeless treasure
Gulf News archives

Sharjah’s iconic Central Souq, also known as the Blue Souq, has stood as a cultural and architectural landmark since it opened in 1978. With its distinctive blue-tiled domes, intricate Islamic motifs, and geometric design resembling a steam train, the souq is a striking example of Arabic architecture. Nestled between busy city roads and overlooking the peaceful Khaled Lagoon, it remains one of the emirate’s most photographed structures — even appearing on the Dh5 banknote.

Once considered a pioneering step in modern retail infrastructure in the UAE, the two-winged, two-storey complex houses around 600 shops. The ground floor offers modern jewellery, watches, and fashion, while the upper level features traditional items like carpets, pashminas, coffee pots, and silverware — a favourite among tourists and collectors.

In its heyday, families from across the UAE, including those from Abu Dhabi and Dubai, flocked to the souq to purchase textiles and handicrafts. Though footfall has declined in recent years with the rise of malls and newer shopping destinations, the Central Souq still holds nostalgic and historic value. It remains a quiet gem, visited by loyal locals and curious tourists alike — a place where tradition meets timeless design in the heart of Sharjah.

Devadasan K P
Devadasan K PChief Visual Editor
Devadasan K P is the Chief Visual Editor at Gulf News, bringing more than 26 years of experience in photojournalism to the role. He leads the Visual desk with precision, speed, and a strong editorial instinct. Whether he’s selecting images of royalty, chasing the biggest celebrity moments in Dubai, or covering live events himself, Devadasan is always a few steps ahead of the action. Over the years, he has covered a wide range of major assignments — including the 2004 tsunami in Sri Lanka, the 2005 Kashmir earthquake, feature reportage from Afghanistan, the IMF World Bank meetings, and wildlife series from Kenya. His work has been widely recognised with industry accolades, including the Minolta Photojournalist of the Year award in 2005, the Best Picture Award at the Dubai Shopping Festival in 2008, and a Silver Award from the Society for News Design in 2011. He handles the newsroom pressure with a calm attitude, a quick response time, and his signature brand of good-natured Malayali humour. There's no fuss — just someone who gets the job done very well, every single time.

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