In Sherrybaby, actress Maggie Gyllenhaal is stripped to the bone — emotionally and literally. It is a raw and vulnerable performance, the kind of role that works only when the actress in question is able to lose herself inside the character.
She plays a recovering heroin addict who, in a sense, is looking for salvation.
The film opens as Sherry, after a three-year prison term, sets out on a journey to stay off drugs and reclaim the love and trust of her young daughter, whom she missed desperately.
Gyllenhaal makes Sherry's pain so palpable that at times it's hard to watch her on screen.
Some critics believe her performance in Sherrybaby is the strongest example to date of why Gyllenhaal, 28, has become one of the most important actresses of her generation.
Quadruple-whammy
This would seem to be her moment: She has four films out this summer and fall — two comedies and two dramas —showing her multicoloured versatility.
She plays a pastry chef in Stranger Than Fiction, a worried wife in World Trade Center and a children's book author in Trust the Man.
"She has a sparkling mind, a wealth of emotion, and miles and miles of charisma," said Laurie Collyer, who wrote and directed Sherrybaby.
"She has the ability to turn the darkest, most difficult characters into someone you would want to know."
Intuitive personality
The actress — pregnant (due any minute) and engaged to actor Peter Sarsgaard — is taking it in with a Zen-like calm.
In person, she exudes a radiant sensuality, looking a bit dishevelled in a grey T-shirt, a baby-blue top and a skirt. Her face is bare (just a bit of maroon lip gloss).
"Most of the projects that I've ended up being very proud of involved a certain amount of intuition, like there was something in the character that I had to work through," Gyllenhaal said, resting on a couch at the Chateau Marmont in Hollywood on a recent humid afternoon.
"At the time, it's not particularly an intellectual or rational choice. It comes from somewhere else, maybe something more unconscious. That's true of all of these movies that are coming out."
Indie dynasty
She grew up understanding the power of acting. Her father is director Stephen Gyllenhaal (Losing Isaiah). Her mother is screenwriter Naomi Foner (Running on Empty and last year's Bee Season). Her actor brother, Jake, commanded the spotlight last year after Brokeback Mountain.
Acting always felt like stepping into a "deep daydream," she said. "It was always a pleasure. It was fun for me."
Breakout role
After graduating from Columbia University in 1998, Gyllenhaal started auditioning, earning small parts in a few films.
Then, in 2002, she scored a lead role in the indie movie Secretary, earning her dizzying critical acclaim including a Golden Globe nomination for her portrayal of a quirky young woman who embarks on an obsessive sadomasochistic relationship with her older boss (played by James Spader). More than a dozen films have followed.
In Sherrybaby, Gyllenhaal uses her body and her sexuality to navigate a world in which she finds herself without money or credibility. The role, she said, was soul-wrenching.
"I really got sucked into Sherry in every way," she said.
"Sherry has this kind of naivete, this fierce hopefulness. Every time an obstacle comes at her, it's doubly sad. She can't afford even a second of acknowledging how lost and painful her life is."
Getting under her skin
Gyllenhaal said it took her weeks after the film was completed to let go of the part.
"I really had a hard time," she said. "There was all this stored pain, Sherry's pain, in my body. It started coming out in all sorts of ways, in my skin, I was smoking. I remember going to a beautiful wedding in Spain afterward and I was just a mess. I wasn't myself."
Although she has since moved on (she forced herself to stop smoking — "I knew it was part of making the separation [from the role]," she said), watching the film is still not easy for her.
"I feel so much more exposed watching it than I did making it," Gyllenhaal said.
In the movie, she gives an honest portrayal of an addict who struggles to be a good mother while dealing with her own childhood pain. She is both sexually exploited by men and exploitive of them.
When the movie premiered at Sundance this year, she considered walking out of the theatre.
"That's never happened to me before." She felt naked — in every sense of the word.
"In retrospect, I'm proud of having made the movie," Gyllenhaal said. "It's a compassionate movie about someone who is so easy to dismiss, so easy to judge. We tried with everything we had not to judge her. That's how I would slike to be in the world."
Light refreshment
After the heaviness of Sherrybaby, Gyllenhaal said, she found it refreshing to make romantic comedies Trust the Man and Stranger Than Fiction. "It ended up being a total pleasure."
In Stranger Than Fiction, Gyllenhaal plays a tattooed pastry chef who becomes the love interest of an immigration service agent played by Will Ferrell.
"It was nice to play someone healthy," she said. "She gets disappointed. She gets hurt, but she isn't going through any tragedy. I loved being her."
The part also came with an added benefit: Gyllenhaal took baking classes from Nancy Silverton, founder of La Brea Bakery, to prepare for the part.
"We were baking five things at once." And her pastry creations made their way home to Sarsgaard.
The levity didn't last long, however. Gyllenhaal spent last fall working on World Trade Center, playing the wife of Will Jimeno, a Port Authority police officer pulled from the rubble.
Gyllenhaal said she loved working with director Oliver Stone, but the drawn-out production schedule and the subject matter meant the project was a difficult one.
"We would have a couple of weeks of really hard work and then a month off," she said. "It sort of felt like taking a Band-Aid off slowly."
As for delving into September 11 on screen, she said: "There was so much more pain than I anticipated there would be, and there was almost no catharsis ever."
Gyllenhaal said now it felt good just to relax and enjoy being pregnant.
"I can't anticipate what it will be like to be a mother," she said, taking a sip of ice water. "I'm just going to focus on that for a while."
About Maggie
She is the older sister of Jake Gyllenhaal and the daughter of director Stephen Gyllenhaal and scriptwriter Naomi Foner.
She earned a B.A. in English from Columbia University and went on to study briefly at the Royal Academy of Dramatic Arts in London.
The first six movies she made (Waterland, A Dangerous Woman, Shattered Mind, The Patron Saint of Liars, Homegrown and Resurrection) were all directed by her father.
She played alongside her brother Jake in 2001's Donnie Darko.
She was born in New York City but grew up in Los Angeles where she and her brother attended the prestigious Harvard-Westlake prep school.
Her friendship with Kirsten Dunst ended when Dunst broke up with Maggie's brother Jake.
Maggie and her fiance Peter Sarsgaard are expecting their first baby in
October.
She was ranked number 58 in FHM's "100 Sexiest Women in the World 2005".
Maggie's signature style
When Maggie Gyllenhaal hits the red carpet, she certainly doesn't follow the rest of the pack. She can be counted upon to be quirky, fun, colourful but always stylish.
She heads for designers who share her urban creativity, such as Marc Jacobs, Lanvin and Miuccia Prada, for whose Miu Miu line Gyllenhaal modelled in 2004.
In her pre-pregnancy days, Gyllenhaal wore close-fitting, often thigh-skimming outfits. Maternity hasn't knocked any fashion sense out of her: she's found that this season's navy blue and empire lines a perfect fit for her growing bump.
7 Typically quirky Maggie Gyllenhaal movies:
Stranger than Fiction (2006)
Monster House (2006)
Mona Lisa Smile (2003)
Secretary (2002)
Adaptation (2002)
Donnie Darko (2001)
Cecil B DeMented (2000)
