Sheikh Mohammed Rashid Al Thani is making waves in the global art scene from his base at the Institute of Arab and Islamic Art (IAIA) in Manhattan. As the founder of this groundbreaking cultural institution, Al Thani is enhancing the global understanding of Arab and Islamic art, forging a meaningful connection between New York City and the Arab world.
Located on Manhattan’s historic Christopher Street, IAIA serves as a dynamic platform for exploring and appreciating the diverse art forms of the Arab and Islamic worlds. “The IAIA was created to provide a deeper understanding of our region's artistic traditions,” Al Thani explains. “We aim to showcase the richness and complexity of Arab and Islamic art through diverse exhibitions and educational programs.”
More than just an exhibition space, IAIA is a hub for education and cultural exchange, featuring exhibitions, workshops, and artist residencies. “Art can break down barriers and challenge misconceptions,” Al Thani says. “By presenting both traditional and contemporary works, we encourage a more nuanced understanding of our cultural heritage.”
Al Thani's influence extends beyond art into the fashion world with his label, Qaafla. His role as the founder is essential to the brand’s mission. “Qaafla is about highlighting the history of the kaftan as a symbol of Arab and Islamic heritage all the while using eccentric and modern textiles sourced from across the globe,” Al Thani notes. “Our aim is to make these traditional pieces appreciated globally by bringing together a deep influence of contemporary art, all the way to references from Islamic architecture, allowing our Kaftans to develop a unique visual aesthetic.”
His brand which embodies Moroccan craftsmanship aligns seamlessly with Qatar’s Years of Culture initiative, which in 2024 partners with Morocco. “The Years of Culture initiative underscores Qatar’s dedication to global cultural connections,” he observes.
Al Thani’s fascination with Moroccan kaftans reflects his broader vision of cultural dialogue. “Initially, when I hosted outside of Qatar, I wore Western clothes in Paris and London. It was my first trip to Morocco that made me realize one can be stylish and trendy while still maintaining their identity through traditional dress,” he reflects. “I started with ready-made kaftans but soon began sourcing my own textiles and collaborating with Moroccan artisans to create pieces that tell a story of cultural exchange.”
His commitment to cultural visibility and heritage is evident in his pride in showcasing his culture in New York. “I’m so proud to see my culture alive and visible in New York,” he says. “People walk into the Institute because of what they see, because of the garments. The Moroccan kaftan, with its long-standing tradition and beauty, represents something timeless and universal.”
For young creatives, Al Thani offers this advice: “Challenge yourself. By immersing yourself in new environments and tackling challenges, you become a better designer, creator, or even just a person. I threw myself into New York, and even when I wanted something easier, it was always a welcome challenge. Embrace those challenges—they help you grow and build something truly meaningful.”
IAIA’s past exhibitions, including those featuring Lebanese artist Huguette Caland and studies of Islamic architecture, highlight Al Thani’s dedication to showcasing the depth of Arab and Islamic art. “Our exhibitions aim to reveal the depth and variety of our artistic traditions,” he says. “We want to move beyond stereotypes and highlight the significant contributions of artists from our region.”
In a city as diverse as New York, Al Thani’s work with IAIA and Qaafla provides vital representation of Arab and Islamic cultures. “It’s important to show that artists from the Arab and Islamic worlds are active participants in contemporary global culture,” he concludes. “By sharing our art and traditions, we bridge cultural divides and create a deeper understanding of our heritage.”
