Hollywood royalty, in the shape of George Clooney, Robert Redford and Jane Fonda, will share the limelight with a 19th-century British monarch at this year’s Venice film festival, which kicks off on Wednesday.
The world premiere of Victoria & Abdul, Stephen Frears’ big-screen adaptation of the true story of the elderly Queen Victoria’s friendship with an Indian clerk, is set to be a highlight of the 74th edition of the world’s oldest cinema festival.
The 2017 festival gets under way with Oscar-winning US director Alexander Payne’s sci-fi comedy Downsizing in an opening slot that, in recent years, has been a trampoline to future international success for the films involved.
The beachside bash runs until September 9, when the winner of the Golden Lion for the best of the 21 films entered in the main competition, and a string of other prizes, will be announced.
Silver screen legends Redford, 81, and Fonda, 79, are due on the Lido, the sandbar island that hosts the festival, on Friday to receive lifetime achievement awards, before an out-of-competition showing of their latest film, Our Souls at Night.
Produced by Redford for Netflix and directed by India’s Ritesh Batra, the film sees the one-time sex symbols play elderly widowed neighbours pursuing a friendship that becomes increasingly intimate.
British director Frears is to be honoured on Sunday for his innovative contribution to cinema, ahead of the premiere of Victoria & Abdul, in which Judi Dench stars opposite Bollywood actor Ali Fazal.
The subject of much pre-release excitement, the film is billed as a wry look at issues of race, religion and power at a time when the British Empire was at its peak and India was its “Jewel in the Crown”.
Coming at a time when Britain and India’s post-Empire relationship is being recast by the former colony’s economic growth, the film sees Frears return to the theme of royal comportment he addressed, to much acclaim, in The Queen (2006).
Dench, meanwhile, is portraying Victoria onscreen for a second time, 20 years after the release of John Madden’s equally praised Mrs Brown.
The likes of Matt Damon and Michelle Pfeiffer are also expected to be spotted hopping off and on gondolas during an industry gathering that has become an important launchpad for Oscar contenders.
La La Land, which went on to collect five Academy awards including best director and best actress, took its first dance steps on the Lido last year, along with fellow Oscar winners Arrival and Hacksaw Ridge.
Their success extended a remarkable four-year streak for festival director Alberto Barbera after Venice showcases helped propel Gravity, Birdman, and then Spotlight to success at the 2014, 2015 and 2016 Oscars, respectively.
Gravity, Birdman and La La Land were all shown in the coveted opening slot that Payne’s Downsizing occupies this year.
A sci-fi comedy, it stars Damon as a man who realises he would have a better life if he shrank, and Kirsten Wiig as his indecisive wife.
Downsizing is one of seven US productions in the main competition. Others include the Clooney-directed Suburbicon, Chinese artist Ai Weiwei’s epic documentary on the global refugee crisis and mother! by Black Swan director Darren Aronofsky.
The latter is one of several thrillers vying for honours. With Jennifer Lawrence in a lead role, it tells the tale of a couple thrown into turmoil by uninvited guests.
Another spine-chiller features Ethan Hawke in Paul Schrader’s First Reformed, which turns around a dark secret harboured by members of a church who are tormented by the deaths of loved ones.
Britain’s Martin McDonagh, best known for the 2008 black comedy In Bruges, will also hope to have a jury chaired by Annette Bening on the edge of their seats.
His Three Billboards Outside Ebbing, Missouri stars Frances McDormand as a mother trying to get to the bottom of her daughter’s unsolved murder.
Damon also stars alongside Julianne Moore in Suburbicon, a dark Coen brothers-scripted comedy dealing with the underbelly of violence in 1950s American suburbia.
More dark themes are explored in The Exorcist director William Friedkin’s documentary about real-life exorcisms and in Netflix’s first Italian original series Suburra, which deals with gangster-politician links in Rome.
On a more upbeat tone, there will also be a new 3D version of the late Michael Jackson’s Thriller, accompanied by Jerry Kramer’s 1983 documentary about the making of one of pop’s most celebrated and influential videos.