Wamiqa Gabbi on ‘Bhool Chuk Maaf’ choosing love over drama, and ditching that big fat Indian wedding
Actress opens up on her love for physical comedy and working with actor Rajkummar Rao
Dubai: “The more you learn from life, the more your sense of humour improves.”
That’s the kind of calm, clear-eyed wisdom Bollywood star Wamiqa Gabbi brings to the table — and to her latest film 'Bhool Chuk Maaf', a light-hearted romantic comedy that sees her shed the intensity of her past roles for a breezy, big-hearted character named Titli.
In this candid conversation with Gulf News, the actress opens up about her love for physical comedy, working with Rajkummar Rao, and why choosing joy over complication might just be the biggest flex in Bollywood right now.
This film feels like a sharp left turn from all the intense, dark content out there. Are you happy to be in this vanilla romantic comedy space?
Absolutely! I’m so glad I got the opportunity to do a film that’s entertaining, light and full of joy. When I heard the narration, I was literally laughing my ass off. That rarely happens. And the fact that my entire family in Chandigarh is excited to watch it together — that says something. I normally don’t ask them to come see my films as a group, but this one’s different.
Your character, Titli, is carefree and uncomplicated — not a trait we often see celebrated. Do you take a character like that seriously?
Why not? I actually think people who are light-hearted and know how to live in the moment have truly learned from life. You don’t have to be intense to be deep. Titli is someone who knows how to be content — and that’s a rare strength. These are the characters we should take seriously. There’s no mean bone in her body, and what you see is what you get.
What was it like working with Rajkummar Rao? He’s known to elevate every scene.
Oh, it was amazing. I was nervous for the first two days — I kept thinking, “How will I manage this?” But Raj made me feel comfortable from day one. He even told me, “Don’t worry, if something goes wrong, I’ll take care of it.” That really relaxed me. And our director Karan Sharma was such a blessing. I truly believe he’s someone to watch out for.
Titli has some pretty expressive moments. Was physical comedy a challenge for you?
It was new, but I enjoyed it. Titli isn’t subtle — she’s full of energy and responds to life with big expressions. That’s just who she is. It’s refreshing to play someone that free. I didn’t have to tone anything down.
You mentioned your character just wants to get married and be with her man. That big fat Indian wedding dream — do you relate to it?
Not really! I’m not Monica from Friends. I don’t have a wedding planning book. If I ever get married, I’d want it to be small, fun, and full of people I love. The vibe matters more than the scale.
The film’s concept of memory loss and time loop reminds us of classics like 50 First Dates. Do you have a comfort romantic comedy you keep returning to?
Yes! 50 First Dates, Groundhog Day — I’ve watched them so many times. I’m really happy this genre is being explored in Hindi cinema now. Setting this in Banaras brings its own colour and charm to the concept.
Bollywood loves the idea of marriage, but rarely shows what happens after. Does the film explore that side too?
Not entirely — but I’d love to see what happens after. Titli and Ranjan’s relationship is so real and full of little arguments and jokes. If there’s a sequel, I hope it dives into their married life. That would be fun to explore.
Your career’s been steady but varied — OTT, films, across languages. Are you happy with where you are now?
I am. For the first time in a long while, I feel content. I’ve learned to stop overthinking everything and just be present. It’s not always easy in this industry, but I’ve realised that when you’re relaxed and your energy is good, things fall into place.
Has the industry taught you to be patient?
Definitely. Patience is the one lesson that has helped me not just professionally, but personally too. You can’t rush this journey. Just keep doing your best and being a good person — that matters more than anything.
Finally, what’s more important for you — box office success or critical acclaim?
Why should I have to choose? Ideally, I want both. A film that people enjoy and one that’s appreciated for its quality — that’s the sweet spot. And I truly hope Bhool Chuk Maaf is one of those rare films that gives us both.
Sign up for the Daily Briefing
Get the latest news and updates straight to your inbox
