A queen of gospel

It is Wednesday night on East 99th Street in Inglewood, just a block from Hollywood Park racetrack, its card casino and other earthly temptations. Overhead, jetliners roar on their descent into Los Angeles International Airport.

But none of that seems to register with Margaret Pleasant Douroux as she sits at the keyboard inside the green-carpeted and wood-beamed sanctuary of Greater New Bethel Baptist Church and starts to rehearse the congregation's choir.

"When the Lord says move, mountains shake, valleys quake . . . When the Lord says move, you've got to move.''

Form of prayer

The 16 women and two men are practising one of Douroux's many songs. After work and dinner, the choristers look tired. Their harmonies aren't meshing, their pronunciations aren't crisp. But excuses aren't good enough for the 65-year-old Douroux, a nationally revered - and a bit feared - teacher and composer of the gospel art.

"Come on, altos . . . come on, tell us!'' she shouts, acting at times like a sergeant with exasperating recruits and then like the encouraging grandmother she is.

Gradually, and then suddenly, the harmonies meld and become beautiful. Thrilling, actually. It doesn't matter that airplanes thunder or some singers are absent. The choir members, swaying and waving, sing from the heart, and Douroux seems pleased yet unapologetic about working them hard.

After all, she stresses, singing gospel is a form of prayer.
"The music ministry is so crucial to the black church. I'm kind of protective of it,'' Douroux, the daughter and sister of pastors, explains later. "I want it to be as special as I think God would want it to be.''

Hall of fame

Her catalogue of more than 200 songs (Give Me a Clean Heart, Trees, Mercy That Suits) landed her in the International Gospel Music Hall of Fame. Six of her pieces appear in the interdenominational African American Heritage Hymnal.
At a recent gospel convention in Dallas, more than 300 musicians lapped up her humorous, stern and deeply religious lectures like freshmen before a storied professor. Music experts on university campuses have included her and her traditional style of gospel in their research.

"Every Sunday morning, some church somewhere in the United States is singing a Margaret Douroux song. She is that prominent,'' said professor Jacqueline Cogdell DjeDje, chairwoman of the University of California, Los Angeles' ethnomusicology department, who has written about gospel music.

How it started

Margaret Pleasant Douroux's father, Reverend Earl A. Pleasant, was a singer who toured with his friend, gospel superstar Mahalia Jackson, before he founded Mount Moriah Baptist near the LA Coliseum. Her mother, Olga, who died in July, organised choirs and taught her five daughters and one son to play piano.

Douroux gradually took on choir leadership at the church in the 1960s, eventually succeeding her mentor, Thurston G. Frazier. She wrote her first song, Give Me a Clean Heart, in 1970, and it caught on after Frazier introduced it at a national gospel convention.

Douroux studied music at California State University, LA, but never intended it as a career. She earned a master's degree in education at the University of Southern California and worked as an educational psychologist in Los Angeles schools.