Eighty-three shows on the calendar, talent coming in from over 20 countries and jet-setting celebrities flocking into the French capital can only mean one thing: It’s time for Paris Fashion Week.
Here are the highlights of the ready-to-wear spring-summer 2018 collections Tuesday in the City of Light.
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SAINT LAURENT
A smoke machine spewed out cloudy plumes across the gargantuan metal platform above the Trocadero gardens, created by Saint Laurent for its spring-summer collection.
As the Eiffel Tower glimmered in the background imposingly, and hypnotic music boomed, models filed by in revealing mini-dresses, shaggy boots and lashings of dark sparkle.
The ‘80s was in the air.
Loose silhouettes, tassel detailing and cuffed boots fused with high ruffle necks and capes in shimmering blacks and flashes of purple, pink and blue.
There was a distinct whiff of the TV series Dallas in some looks that incorporated big brown belts, black lacing, boots that evoked chaps, and black waistcoat-shaped tops. At times, they were a little heavy-handed.
But the creative climax came toward the end of the exhaustive 90-piece show — when Vaccarello left behind the ‘80s exploration and went abstract to explore shapes with an upward movement.
The piece de resistance: A skintight sheer black lace mini-dress with a giant black ruffled disc that wrapped around the model’s waist artfully like an angry cloud.
She grabbed headlines at Milan Fashion Week, modelling alongside supermodels Claudia Schiffer, Cindy Crawford, Helena Christensen and Carla Bruni in Donatella Versace’s eponymous show.
Naomi Campbell has made her first public appearance since that coup — this time as a spectator — at Saint Laurent.
Security was so tight, and the schedule so unusually on-time for an evening show, that some top editors were even excluded from entering designer Anthony Vaccarello’s collection.
Campbell — who was five minutes late — was forced to watch from the distant standing area in front of the iridescent Eiffel Tower, dressed in a signature Saint Laurent black menswear tuxedo suit.
Nonetheless, the youthful 47-year-old enjoyed the spectacular, smoke-covered display of shimmer.
“It’s gorgeous. It’s really stunning what he’s done,” she said, before rushing off to meet Vaccarello back stage.
Other VIP attendees, who were granted a front row seat, included Kate Moss, Lenny Kravitz, Chloe Sevigny and Courtney Love.
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SIMON PORTE JACQUEMUS
It was a love story in homage to a glamorous mother.
In a show brimming with joy, 27-year-old French designer Simon Porte Jacquemus dedicated his retro spring-summer 2018 collection to the style of his late mother, who died a decade ago.
Her death hit while he was a teenager and spurned him on to launch his own fashion house at the tender age of 20. He named it Jacquemus — her maiden name.
In Monday’s collection in the grand Picasso Museum, clothes exuded elegant sexual confidence and riffed on beach styles from the 1950s. A retro off-white bodice top sported large black polka dots against a surreally oversized straw sun hat with a stylish curl at one side.
Indeed, deceptively-simple curls, twists, drapes and gatherings in the fabric were ubiquitous in the thoughtful clothes, betraying a real skill in construction.
With a floppy oversize cuff detail, a diaphanous skirt in pale yellow that was draped on the diagonal evoked a shirt his mother might have tied loosely around her waist.
Hips were emphasised in tonal dresses that were gathered from the midriff or in loosely slung sarong-styles. Retro micro handbags looked like the playthings a child might have to emulate their mother.
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ANREALAGE
It was an extravaganza in pastel — ruched, gathered and bound.
The fashion-forward house of Tokyo designer Kunihiko Morinaga has built up a huge fan base in Japan for its intellectual designs and original use of techno-fabrics. This was on full display Tuesday as Morinaga used strapping, in tonal or contrasting colours, to bind loose silhouettes to the models’ body.
It began with the baroque — billowing sleeves and high collars on silken fabric dresses in exaggerated proportions — and the occasional jumpsuit. They were, of course, paired with on-trend white banded sneakers.
At times, crisscross strapping evoked an almost kinky, exo-skeleton restraining the body — such as in a peach, knee-length dress with a gray lattice exterior.
The show was highly original.
The colour pink has — so far — been heralded as the colour of the season.
But fashion editors generally agree that Paris Fashion Week has the ultimate say in what going to be a trend, so all eyes are on the French capital’s runway collections to see if this continues.
On the first day of shows in Paris, pink made a moderate splash.
A pink pastel ruched gown opened the collection for Anrealage with gowns that continued in pastel shades with a dash of fuchsia.
And one of Dior’s nicest looks was a floor-length baby pink sheer silk gown tied at the waist with a pink bow.
