Filmmaker Subhash Ghai has extended support to Sanjay Leela Bhansali, saying he is entitled to “cinematic liberty” and that it is wrong for his detractors to pass an opinion without seeing the film.
“I will not comment about the Padmavati issue because I am not a politician. I respect my filmmakers. You have to understand one thing that you cannot judge something without seeing it,” Ghai said during his masterclass at the ongoing 48th International Film Festival of India (Iffi), in Goa.
“One artist has made a film based on his imagination. He has not said that he is uniting with 15 organisations to make a historical film,” he added.
Padmavati, featuring Deepika Padukone as Rani Padmavati, has been mired in controversy over conjectures that it “distorts history” regarding the Rajput queen. Bhansali has repeatedly denied the charge.
The release date of the film has been pushed back from December 1, but some fringe groups are demanding a ban on the movie.
Ghai also recounted the time when his own movie Khalnayak got into trouble due to the song Choli ke Peeche.
“It happened with me, too. A lawyer filed a case against us saying that Choli ke Peeche is a vulgar song. We went to the court and the court gave us a go ahead one day before the release,” said Ghai.
“You haven’t seen the film and you are already assuming that something will be wrong in it. Sanjay Leela Bhansali is a responsible person. But there will be some colours of cinema in the project. He will take some cinematic liberty,” Ghai added.
Having started his directorial career with the 1976 film Kalicharan, Ghai’s repertoire is studded with cinematic gems like Karz, Ram Lakhan, Khalnayak, Pardes, Taal, Saudagar and Karma.
His last few movies Yuvvraaj, Kaanchi: The Unbreakable and Black &a White failed to spin magic at the box office, and went unnoticed. He also backs films under his banner Mukta Arts and runs film school Whistling Woods International.
Ghai also suggested a solution to the whole issue.
“First watch the film. If you have a problem after watching the film too, then talk it out,” he said.
