Actress Meryl Streep earned a lifetime achievement award at the Golden Globes on Sunday and in accepting, turned the spotlight away from herself.
She defended Hollywood and journalists, honoured the late Carrie Fisher and took shots at President-elect Donald Trump, without mentioning his name.
Streep said a performance from the past year that stunned her came from the campaign trail, noting the incident where “the person asking to sit in the most respected seat in our country” imitated a disabled reporter from The New York Times, an incident replayed frequently in campaign advertising.
“It kind of broke my heart when I saw it,” she said. “I still can’t get it out of my head, because it wasn’t in a movie. It was real life.”
Streep said that “when the powerful use their position to bully others, we all lose.”
She noted that “Hollywood” is a reviled place. But in reviewing the backgrounds of several of her colleagues surrounding her at the Globes, she said that it’s really a community filled with people from other places united in the mission to show different people and make audiences feel what they feel.
“Hollywood is crawling with outsiders and foreigners, and if we kick them all out, you’ll have nothing to watch but football and mixed martial arts, which are not the arts,” she said.
Streep put in a plug for vigorous journalism, urging that contributions be made to the Committee to Protect Journalists.
While Streep won the annual Cecille B. DeMille Award and can boast of 48 Oscar and Golden Globe nominations, her career is still current. She was nominated this year for her portrayal of a bad opera singer in Florence Foster Jenkins.
She mentioned Fisher, who died just after Christmas, and how the actress and writer urged others to “take your broken heart and make it into art.”
She was introduced by fellow actress Viola Davis, who said her husband urged her every day when she worked with her to tell Streep how much she meant to her. She was too bashful then, but not on stage on Sunday.
“You make me proud to be an artist,” Davis said. “You make me feel that what I have in me — my body, my face, my age — is enough.”
Here is Streep’s full speech:
“Thank you very much. Thank you very much. Thank you. Please sit down. Please sit down. Thank you. I love you all. You’ll have to forgive me. I’ve lost my voice in screaming and lamentation this weekend. And I have lost my mind sometime earlier this year. So I have to read.
Thank you, Hollywood foreign press. Just to pick up on what Hugh Laurie said. You and all of us in this room, really, belong to the most vilified segments in American society right now. Think about it. Hollywood, foreigners, and the press. But who are we? And, you know, what is Hollywood anyway? It’s just a bunch of people from other places.
I was born and raised and created in the public schools of New Jersey. Viola [Davis] was born in a sharecropper’s cabin in South Carolina, and grew up in Central falls, Long Island. Sarah Paulson was raised by a single mum in Brooklyn. Sarah Jessica Parker was one of seven or eight kids from Ohio. Amy Adams was born in Italy. Natalie Portman was born in Jerusalem. Where are their birth certificates? And the beautiful Ruth Negga was born in Ethiopia, raised in — no, in Ireland, I do believe. And she’s here nominated for playing a small town girl from Virginia. Ryan Gosling, like all the nicest people, is Canadian. And Dev Patel was born in Kenya, raised in London, is here for playing an Indian raised in Tasmania.
Hollywood is crawling with outsiders and foreigners. If you kick ‘em all out, you’ll have nothing to watch but football and mixed martial arts, which are not the arts. They gave me three seconds to say this. An actor’s only job is to enter the lives of people who are different from us and let you feel what that feels like. And there were many, many, many powerful performances this year that did exactly that, breathtaking, passionate work.
There was one performance this year that stunned me. It sank its hooks in my heart. Not because it was good. There was nothing good about it. But it was effective and it did its job. It made its intended audience laugh and show their teeth. It was that moment when the person asking to sit in the most respected seat in our country imitated a disabled reporter, someone he outranked in privilege, power, and the capacity to fight back. It kind of broke my heart when I saw it. I still can’t get it out of my head because it wasn’t in a movie. It was real life.
And this instinct to humiliate, when it’s modelled by someone in the public platform, by someone powerful, it filters down into everybody’s life, because it kind of gives permission for other people to do the same thing. Disrespect invites disrespect. Violence incites violence. When the powerful use their position to bully others, we all lose.
This brings me to the press. We need the principled press to hold power to account, to call them on the carpet for every outrage. That’s why our founders enshrined the press and its freedoms in our constitution. So I only ask the famously well-heeled Hollywood Foreign Press and all of us in our community to join me in supporting the committee to protect journalists. Because we’re going to need them going forward. And they’ll need us to safeguard the truth.
One more thing. Once when I was standing around on the set one day whining about something, we were going to work through supper, or the long hours or whatever, Tommy Lee Jones said to me, isn’t it such a privilege, Meryl, just to be an actor. Yeah, it is. And we have to remind each other of the privilege and the responsibility of the act of empathy. We should all be very proud of the work Hollywood donors here tonight.
As my friend, the dear departed Princess Leia, said to me once, take your broken heart, make it into art. Thank you.”
