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Justin Timberlake and wife Jessica Biel leave after watching Inside Llewyn Davis. Image Credit: AFP

Cannes, France: In the Coen brothers’ “Inside Llewyn Davis,” Justin Timberlake sings music set to a very different beat than “Suit and Tie.”

Timberlake plays a bearded pop folkie in the film, which premiered Sunday night at the Cannes Film Festival, about the music scene of early 1960s Greenwich Village. Oscar Isaac stars as a more serious but less successful folk musician than Timberlake’s smiley Jim Berkey.

Speaking to reporters Sunday, Timberlake called Berkey “part of the transition that is sort of the underbelly of the time.” The film summons the period of New York folk just before Bob Dylan arrived in the early ‘60s.

“Obviously, it’s on the surface, a different style from the music that I make in real life,” said Timberlake. “But listen, man. I grew up in Tennessee, the home of the blues, the birthplace of rock ‘n’ roll - Memphis - and a lot of country music. So my first musical lessons were given to me by my grandfather on an old Gibson guitar. He taught me how to fingerpick.”

Timberlake helped write the music to the film’s most comical song, “Please, Mr. Kennedy,” which he sings with Isaac and Adam Driver of “Girls.” The oft-repeated chorus goes: “Please, Mr. Kennedy, don’t shoot me into outer space.”

Timberlake got reflective about the curious mix of talent, luck and timing that goes into a music act breaking out. In contrast to the success Timberlake has had in music and acting, the characters of “Llewyn Davis” are those for whom things never click.

“I’ve been in the right place and met the wrong people, and I’ve been in the wrong place and met the right people,” the former boy band singer said. “Usually, the second one ends up being the thing that can catapult someone’s career.”

Timberlake suggested disregarding how one’s work is received.

“There’s a lot of analysis now, a lot of analytics on what might be success and what might be failure,” he said. “I don’t know that I would measure the success or failure of it by how it’s perceived because once it’s done, it’s sort of out there. You have to let it live in the ether.”