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After Syria's war whisked away the silkworms from his mulberry trees, 65-year-old Mohammed Saud instead turned his idle home workshop into a silk museum to celebrate the ancient craft. In the green hills of Deir Mama, Saud, his wife and three sons have been making silk for decades.
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They would raise silkworms in the spring, watching them munch on mulberry tree leaves and slowly build their thick cocoons, before spinning the thread and weaving it into fine cloth. But Syria's nine-year-old war has complicated silkworm imports, and stemmed production for now.
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In his courtyard-turned-museum, Saud held up a handful of glistening white silk cocoons the size of large grapes. Stooping down, he manually yanked around a large wooden spinning wheel used to unfurl the tight coils into long pale thread. | Muhammad Saud sits with his wife Amal at their home workshop.
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Sitting at a large wooden loom with his feet on the pedals, he demonstrated weaving, his agile hands gliding from side to side as he weaved weft over warp. In a corner, off-white silk shawls were displayed on the wall, or draped around mannequins.
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Muhammad Saud drops silkworm cocoons into a small woven basket at his home workshop in the village of Deir Mama, in west-central Syria.
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"There are just three families left in Syria working this craft," he said. "Today I am the only one left in this town fighting for its survival." A decade ago, the year before the conflict broke out, he had told AFP that 16 villages and 48 families across Syria still worked in sericulture.
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Cocoon harvests had already dropped from 60,000 tonnes in 1908 to just 3.1 tonnes in 2010. When fighting erupted in 2011, it all ground to a halt.
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"I decided to transform my home into a workshop when I realised it would contain all stages of silk production," Saud explained.
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