Does Amala Akkineni need an introduction?
The actress of the ’80s and ’90s envied for her sylph grace and loved for her vivacious characters is making a comeback to Malayalam cinema with C/O Saira Banu after 25 years.
Leaving far behind the Anjali of Agni Natchathiram, who danced with gay abandon to the song Ninnukori, and the naughty Maya of Ente Suryapoothiri, as well as the magician’s daughter from the silent film, Pushpaka Vimana (who spoke largely through her eyes), Akkineni lent an elegance to her new role of Annie John, the lawyer with an impeccable reputation and a single mother battling her own insecurities.
In an exclusive interview with Gulf News tabloid!, Akkineni spoke about her comeback Malayalam film.
What drew you to C/O Saira Banu?
It was an interesting story with scope for performance. Besides, working with Manju was a big draw. I requested a Malayalam dialogue coach. We had Skype classes at five am for a week before I said yes. Initially, I was afraid of legal terms in Malayalam, but as I got familiar those fears went away. I also spoke with a friend, Shantha John, a Syrian Christian. Gradually I understood that Annie John could be an educated Indian woman anywhere in the world and that as a single mother her emotions were universal with other single mothers.
How was it returning to Malayalam cinema after a long time?
It was exciting and inspiring to see new talent. Antony Sony [director] is talented, hard- working and very focused. He knows exactly what he wants. I am positive that he will go far.
What about working with Manju Warrier?
Manju is a gem. She is so talented, yet so humble. I am glad I have a new friend.
Looking back, which roles are close to your heart?
To tell you the truth I love being myself; my family, my life and my work. No role has matched it. But as a character Maya Vinodini (from ‘Ente Suryaputhrikki’) was the best.
What memories do you carry of Srividya?
Sri Vidya akka was an outstanding actress and a beautiful human being. She was my rock and her encouragement gave me immense confidence. We were a team in ‘Ente Suryaputhrikki.’
I felt a high level of comfort working with her and learnt much.
Ulladakkam (Malayalam) got you the Filmfare Award — what memories linger about this film?
When essaying a role the award is never in mind. It is about doing what you can in the most convincing and appealing manner. Reshma’s role was unusual and dark, yet pivotal for the film.
All my roles in Malayalam films have had shades of darkness, closer to life. We all have moments when darkness comes but the intentions are what makes us good or bad. It was a privilege working with director Kamal sir and Mohanlal sir, both immensely professional and supportive.
What is it about acting that you love?
I am a performer and enjoy the moment of performing, becoming someone conceived in a story and bringing it to life. And, when you can do that in an appealing way people connect and respond. It is the audience who gives us life.
Have you signed any other film?
Not yet. Few directors have narrated stories though. It must be something convincing and interesting for someone my age.
